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RestorationJune 18, 2026

ROAR Journal / Field Notes

What Should an Old Building Be Allowed to Keep?

Some buildings aren't meant to be perfect. They are meant to age, to shift, to carry the hands that built them.

Gurleen DhaliwalJune 18, 20266 min read
Restored mountain cottage in Mashobra, Himachal Pradesh
Restoration

Some buildings aren't meant to be perfect. They are meant to age, to shift, to carry the hands that built them. When we first visited this old cottage in Mashobra, the instinct was not to erase what had happened to it, but to understand it.

Journal Note

What deserves to remain

Restoration begins with restraint. Before introducing anything new, we look carefully at what already exists — the timber, the stone, the proportions, the marks left by time and the small irregularities that give a building its identity.

In this cottage, the original structure had a quiet honesty. The stone walls were uneven. Timber had darkened naturally over the years. Old openings framed the landscape in ways that felt impossible to recreate intentionally.

Original stone and timber details of the restored cottage
Original stone and timber details of the restored cottage

Journal Note

Restoring without making it new

The goal was never to make the cottage look newly constructed. Instead, the work focused on repairing what could be repaired, replacing only what was beyond saving and allowing the newer elements to sit quietly beside the old.

The most successful restoration is often the one where you can still feel the age of the building.
Gurleen Dhaliwal

New timber was selected to sit comfortably beside the original wood. Lime-based finishes were chosen for their softness and ability to age naturally. Stone was repaired rather than concealed, allowing the walls to retain their character.

Warm restored interior with timber ceiling and stone fireplace
Warm restored interior with timber ceiling and stone fireplace

Journal Note

Letting the landscape back in

The surrounding landscape was always part of the architecture. Rather than competing with the mountain views, the intervention was designed to frame them.

Windows were retained and carefully restored. Outdoor paths were repaired using local stone. Planting was kept natural and restrained so that the house could continue to feel rooted in its hillside setting.

Mountain landscape surrounding the restored cottage
Mountain landscape surrounding the restored cottage

Journal Note

The value of imperfection

There is something deeply comforting about spaces that show evidence of having been lived in. A worn threshold, a slightly uneven wall or timber that has changed colour over decades can often tell us more than a perfectly finished surface.

For us, restoration is about protecting that feeling. The building should become more useful and comfortable without losing the qualities that made it worth restoring in the first place.

Journal Note

A slower way of designing

Good restoration takes time. It requires looking closely, making fewer decisions and understanding when to intervene and when to leave something alone.

The result is not a house that looks old. It is a house that feels like it has always belonged there.

End of note

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